French Academic Painter, 1789-1863, Painter, son of Carle Vernet. He was born in his father's lodgings at the Palais du Louvre, where his grandfather Joseph Vernet also lived; his maternal grandfather was Jean-Michel Moreau. To these antecedents and influences are ascribed the supreme ease of his public career, his almost incredible facility and his fecundity. His early training in his father's studio was supplemented by formal academic training with Franeois-Andre Vincent until 1810, when he competed unsuccessfully for the Prix de Rome. He first exhibited at the Salon in 1812. In 1814 Vernet received the Legion d'honneur for the part he played in the defence of Paris, which he commemorated in the Clichy Gate: The Defence of Paris, 30 March 1814   Related Paintings of Horace Vernet :. | l' atelier du peintre | Slave Market | Philippe Lenoir. | La prise de Constantine. 13 octobre 1837 | Self portrait |
Related Artists:
BELLOTTO, Bernardo
Italian Rococo Era Painter, ca.1721-1780 Bernardo Bellotto (30 January 1720 ?C 17 October 1780) was an Italian urban landscape painter or vedutista, and printmaker in etching famous for his vedutes of European cities (Dresden, Vienna, Turin and Warsaw). He was the pupil and nephew of Canaletto and sometimes used the latter's illustrious name, signing himself as Bernardo Canaletto ?? fraudulently, according to some. Especially in Germany, paintings attributed to Canaletto may actually be by Bellotto rather than by his uncle; in Poland, they are by Bellotto, who is known there as "Canaletto". Bellotto's style was characterized by elaborate representation of architectural and natural vistas, and by the specific quality of each place's lighting. It is plausible that Bellotto, and other Venetian masters of vedute, may have used the camera obscura in order to achieve superior precision of urban views.
Francois Flameng
French 1858-1932, He was a very successful French painter during the last quarter of the 19th century and the first quarter of the 20th. He was the son of a celebrated engraver and received a first-rate education in his craft. Flameng initially received renown for his history painting and portraiture, and became a professor at the Academy of Fine Arts. He decorated such important civic buildings as the Sorbonne and the Opera Comique, and also produced advertising work.
Girolamo Genga
Italian Painter and Architect , 1476-ca.1551 was an Italian painter and architect of the late Renaissance, Mannerist Genga was born near Urbino. According mainly to Giorgio Vasari's biography, by age thirteen Genga had gained an apprenticeship in Orvieto under Luca Signorelli. He was afterwards for three years with Pietro Perugino, in company with Raphael. He next worked in Florence and Siena (where he decorated the Petrucci palace c. 1508), along with Timoteo della Vite; and in the latter city he painted various compositions for Pandolfo Petrucci, a leading local statesman. Returning to Urbino, he was employed by Duke Guidobaldo da Montefeltro in the decorations of his palace, and showed extraordinary aptitude for theatrical adornments. He is recorded as having help design the decorations for the Duke's funeral in 1508. From Urbino, he went to Rome and painted church of Santa Caterina da Siena one of his masterpieces: The Resurrection. Francesco Maria I della Rovere, duke of Urbino, recalled Genga, and commissioned him to execute works in connection with his marriage to Eleonora Gonzaga in 1522. This prince being soon afterwards expelled by Pope Leo X, Genga followed him to Mantua, whence he went for a time to Pesaro. The duke of Urbino was eventually restored to his dominions; he took Genga with him, and appointed him the ducal architect and decorator. He worked extensively on the Villa Imperiale on Mount Accio . Among his work in Urbino, was the scenography of plays,